There are some fascinating connections between different projects that have made it up on the site, I often look back at older articles in each category and notice little details that link them all together. Strangely enough my taste has stayed quite consistent over the years and, although I know it
Designer Eric Degenhardt has really impressed me with the progression of his own work, which can be clearly seen in his portfolio showcased on his studio website.
Wow, some films really do just take your breathe away. Although I wouldn’t necessarily class myself as an artist, I do find that I’m attached to certain ideas and concepts that artists revolve around. Especially when they use a mixture of materials and the finished piece becomes a crafted layer
After last weeks feature with designer Masanori Oji, it seemed right to highlight another inspiring Japanese creative in the form of industrial designer Naoto Fukasawa. Although more mainstream, I have numerous books on his works and I’m especially inspired by his collaboration with Jasper Morriso
Usually I have my finger on the pulse, but this time I let it slip a little. Saying that, I never shy away from the chance to learn more about a subject and soak up all the information like a sponge, hopefully you’ll take away something from this piece as well. I came across a project that had rec
Many of these different influences bounce around in my head, trying to make sense of them all is full-time work in itself. Usually once I’ve cleansed my mind and let these thoughts settle down, let nature take it’s course, obvious patterns emerge and little details protrude which I can use on th
These studio houses and homes by Swiss Peter Kunz architects are absolutely superb, a fantastic mix of glass and concrete, with the stripped back white walls inside adding a unique contrast. All of these builds are light traps, designed with the big glass windows to really let the light penetrate th
It seems to me that all creatives go through that photographic stage, where you’re documenting everything that happens through a lens. Often I put down the camera in times of overload or when I need space to think, but there’s always something that pulls me back towards the medium. You’ll ofte