Honest Materials – Sculpture by Nadia Yaron
Many people overlook the aesthetic quality that craftsmanship brings to a piece of work. Often those small markings where the chisel strikes the surface, or a unique indent or natural blemish, create this aura of warmth that’s impossible to be replicated in the manufacturing industry. New York
Patchwork Art – Textiles by Thompson Street Studio
While they had been around for centuries, quilting and patchwork became a big thing in North America during the 1600s, when early settlers from England and Holland introduced them as a popular and symbolically charged craft. The work of Kiva Motnyk, founder of Thompson Street Studio in New York City
Textured Abstractions – Ceramic Vases by Kathy Erteman
Kathy Erteman is an internationally-known ceramicist who approaches her craft in a dual way. On the one hand, she manually produces minimal and textured sculptural-looking vessels and on the other she creates tableware designs for companies, like Crate & Barrel and Tiffany, who manufacture them
A Conscious Purpose – Mirror series by Fernando Mastrangelo
During the last few decades, artists and designers have increasingly been raising awareness of climate change. Such is the case of New York-based Fernando Mastrangelo, who for years has been creating sculptural objects inspired in natural settings and in how they are suffering as a result of our cur
Pure Creativity – Beans, Pinecones, Umbrellas by Yuko Nishikawa
If you are looking for pure creativity and freedom then look no further than the work of New York based Japanese designer Yuko Nishikawa. I stumbled in to her ceramic work and later fell upon the series ‘Beans, Pinecones, Umbrellas’ that builds on Yuko’s interest in hanging mobiles
A Controlled Collapse – Abstract Artworks by Vanha Lam
One of the most appealing aspects about abstract art for me is the how malleable the style is aesthetically. A good piece of abstract art can stand the test of time. Let’s face it, the placement of form and colour can never get old, but there’s a missing component that’s not often
Balancing Opposites – Sculptural Objects from ASPACE Studio
Founded in 2016, ASPACE Design Studio houses two New York Based artists, Anna Aristova and Roza Gazarian. Their work is heavily influenced by the timeless beauty of nature. With no set moulds or plans to mass-produce their pieces, each object is entirely unique to itself. They pride their work in be
Contrasting Art & Craft – Wood Sculpture by Maker Fitzhugh Karol
Geometric, colour, grain, collage … these are just a few words that come to mind when exploring Fitzhugh Karol’s wood sculpture. With so many types of sculpture included in his displays it’s quite difficult to categorise his work. Karol is a Brooklyn artist/designer that thrives on the
Ethereal Gestures – Light Paintings by American Artist Heather McKenna
Wow. So inspired by Brooklyn-based artist Heather McKenna and her wonderful paintings. Some works are part of her ‘Inclinations’ series for an exhibit at the Spencer Brownstone Gallery in New York that took place in 2018. Admittedly this was a little while back, but I thought the combina
Tactile Qualities – Pulp Furniture Collection by Serra Studio
An area of craft I’ve been thinking a lot about lately is the potential found in a natural material, wondering whether this is one of the main reasons why makers are drawn to handiwork over other mediums of creative expression. This ability to take a material that has such strong ties to natur
Radiating Colour – Paper Prints by American Artist Michael Delucia
American artist Michael Delucia’s art has a defining feature; abstracting form. His earlier artworks were more literal, covering a shopping trolley with tinsel or placing metal railings in to a formation in the street. But seeing the progression from these physical sculptures to ink on paper l
Modern Traditional – Cove & Arc Series by Furniture Maker Kai-wei Hsu
It takes a certain amount of talent as a woodworker to look past the material itself and craft a piece of furniture that’s polished and can be used in a functional manner. You then need even more experience to incorporate actual design and stylisation in to a piece, making sure they are not fl