Donald Judd is quite the enigma. He didn’t like to work with his hands, he especially hated the fuss of working with tools or mechanical aids. So why did he experiment with woodcuts?
I was fortunate enough to connect with Jacqueline Scholes who provided me with some fantastic imagery and a good idea of her design process, also what inspires her and how she became a silversmith.
Mr. Anastassiades, an industrial designer who earned his masters at the Royal College of Art, shares a desire that many, if not most, share on OEN: a innate drive to foster ideas into reality.
Japanese metal worker Rieko Fujimoto for example is one that really struck a chord with me. When I first discovered her works I was fascinated by her unique style, also her pursuit of making objects for everyday use.
I find the production of glass very intriguing. The fact that there’s certain limits when making glass is an interest to me, the material is notoriously hard to work with and not that simple to conquer as a maker.
It’s intriguing to think that many of my influences revolve around nature itself, even if it’s unclear at first this component always shines through. For example with craft, it’s design stripped back to only the necessary, using bare basic material.