Aesthetically Minimal – Red Oak Circuit by Sara Martinsen
Sara Martinsen has been on my radar for a while now. Her use of natural materials, especially found materials, is quite exceptional and makes her work stand out from the pack. This particular piece titled ‘Red Oak Circuit’ is a unique sculpture that has the concept of using underutilized
Australian Sensibility – Furniture by Daniel Boddam
It’s intriguing to think that our life influences play a direct role in how we design. Of course, there are small aesthetic tweaks that make a difference visually, but then there are designers such as Daniel Boddam who showcase these influences in abundance and rear their heads in every series
Big Woods – Sculptural Furniture by Aaron Poritz
Nature and trees in-particular are the inspiration behind the furniture designs of Aaron Poritz, a Brooklyn-based architect and artist. While in the past Poritz has designed minimalist wooden furniture pieces that have similar aesthetic qualities to that found in Danish design, the artist’s new co
New in the Shop – Pebble Paperweights by PLYWOOD laboratory
Japanese plywood manufacturer Taizawa Plywood developed their ‘Paper-Wood’ technology in 2009. Paper-Wood is plywood with beautiful cross-section colouring that was created by laminating coloured recycled paper and natural wood grown locally in Hokkaido. Collaborating with studio Drill D
New in the Shop – Hinoke Series by Woodworker Toshifumi Momose
Japanese woodworker Toshifumi Momose resides in Shizuoka where he runs his project ‘Hikimonojo 639’ from a 150 year old Japanese farm house surrounded by mountains and countryside. After graduating from Shizuoka Design College Toshifumi studied under a popular woodworker in Japan and lat
Dedicated to Handmade – Cork & Wood Objects by Melanie Abrantes
The reality is that materials all have their own properties that make them unique. Unfortunately a material like metal doesn’t go that well with ceramic, and wood doesn’t mesh that well glass. There are just certain restrictions that forces designers and makers to stick with one material
On Balance – Wood Shelves & Pedestals by Anne Brandhøj
Unfortunately we as consumers have become so impatient. The instant gratification of something fresh and shiny out of the box seems to fizzle out with time, leaving us wanting more and more of that initial feeling when we first set our eyes on it. It takes foresight to see something for its maturing
New at OEN Shop – Tumi-isi Wooden Stacking Blocks by A4
I have always been drawn to those stacked pebbles found by the side of rivers or streams. It’s rare to come across them, but it always made me wonder about who stacked them and why. Kind of mysterious. When I stumbled in to these stacking blocks by Japanese design studio A4 it made we think [&
New at OEN Shop – Woodwork by Japanese Studio OITECO
Visually appealing design is always nice to see, but sometime’s it’s skin-deep. That’s why craft is so underrated, the subtle change over time and the inconsistencies matches with a good design make for something that grows with you rather than away from you. OITECO drew me in with
New at OEN Shop – A Selection of Woodwork by Chitose
Craft does have some limits. One of course is the material of choice. There are only so many applications of a certain material, with the characteristics and properties guiding a specific purpose. Not necessarily a negative, but this does explain why we see so many forms that are very similar. Chito
New at OEN Shop – Functional Woodwork by Sanobe Sangyo
We’ve been trying out best to represent smaller workshops and highlight more makers in the shop. The slight downside is the lead time and the shipping from different locations, but we feel it’s a worthy cause to highlight such amazing craftsmanship and make it accessible to more people. One
Seamlessly Flowing – Velo Chair Series by Jan Waterston
Today’s furniture titled ‘Velo’ is simple, it’s minimal and has exquisite craftsmanship thanks to the hand of British maker Jan Waterston. This chair has a C shaped backing that begins at the front of the chair and waves backward to provide support. With no middle section, th
